Thursday, January 28, 2010
if we were two lego blocks even the harvard university graduating class of 2010 couldn’t put us back together again
Wednesday, January 27, 2010
geometry lesson: alexis mabille's spring 2010 couture collection
What do we think of the Alexis Mabille Spring 2010 Couture collection? I actually really love it except I wonder if the presentation (i.e. the dyed hair) here distracts from how awesome the work is.
He said he was inspired by "Cubist and Suprematist art, and Calder... I wanted something cleaner with less embroideries." The first dress reminds me of La Dolce Vita.
Alexis Mabille's website.
Tuesday, January 26, 2010
Monday, January 25, 2010
from paris with love
Martin Witt has delivered many low-key, social dramas. My favorites are Sounder
and Norma Rae
which deliver the emotional goods in a quiet, understated way. 1961's Paris Blues
is a fascinating glimpse of a bygone era, brilliantly scored by Duke Ellington
, where American expatriates in Paris survive by playing jazz. Supposedly the heyday for jazz was over by then but it's a lovely imagining nonetheless--a glamorous romance with extremely appealing stars.
and Norma Rae which deliver the emotional goods in a quiet, understated way. 1961's Paris Blues is a fascinating glimpse of a bygone era, brilliantly scored by Duke Ellington, where American expatriates in Paris survive by playing jazz. Supposedly the heyday for jazz was over by then but it's a lovely imagining nonetheless--a glamorous romance with extremely appealing stars.
Paul Newman plays Ram Bowen, a talented trombonist who seems dissatisfied with his career. His cohort, Eddie Cook (Sidney Poitier), is another musician who moved to Paris to escape the violent racism of America. Their relationship is at times tense but otherwise knowing. They fall in love with two vacationing Americans, Lillian and Connie (Joanne Woodward and Diahann Carroll), who both challenge their life decisions.
The story is a bit flat and the pace is slow. But it's still an interesting watch for the great jazz, its frank discussions of racial identity and as a time capsule of the stylish, cool cat early '60s. The musical performances kick the film to life--including a brilliant cameo from Louis Armstrong. ***
