Jane Eyre - There have been film versions of Bronte's classic tale ad nauseam but the gloomy and striking version by young filmmaker Cary Fukunaga's feels fresh. Meticulous production values and a top notch cast including Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench, and Amelia Clarkson (playing a young Jane). And the script by Moira Buffini made me marvel at Eyre's feminist virtues.
Uncle Boonmee Who Can Recall His Past Lives - A Cannes Palme d'Or winner, Apichatpong Weerasethakul's tale of a man dying of kidney failure, visited by the ghosts of his past in various forms (including a glowing-eyed monkey) is at times murky, surreal and confounding, and also gorgeous (the serene jungle and its insect sounds are hauntingly captured). Influenced by Thai cinema, Weerasethakul employs various styles and indulges in long takes of "nothing happening."
Of Gods & Men - French film directed by Xavier Beauvois based on the story of a group of French Trappist Monks from an Algerian monastery who were kidnapped and found beheaded. A cold, sometimes aloof film, and a bit too lugubrious at times, I wondered if the film would have had a stronger impact with some cutting. I also couldn't decide whether it was straightforward in its intentions or was offering a more ambivalent argument about religion and colonialism. I try to put faith in the latter which makes the story all the more perplexing and compelling.
centers on a bizarre love triangle of pretty, emotionally stunted and privileged youth and an awkward misfit who enters their circle. I'm always on the lookout for authentic films that are more concerned with behavior than plot, with characters trapped within a certain time period. Like his cinematic version of 
Perry's film definitely delivers the goods in that regard. 
, perfectly captures young anger, passion, ambiguity, and pain. ***1/2
