Director Joseph Sargent (his crime classic The Taking of Pelham One Two Three from 1974 is glimpsed in a theater marquee in the opening of Hustling) does well with the material, offering a sensitive portrait of Wanda and her cohorts. Clayburgh was a phenomenal actress, the kind who just naturally offered more in her eyes than what's in the script, and she certainly disappears here (she was nominated for an Emmy Award). Unfortunately she puts on a New Yawk accent in a nasally pitch that's both slightly annoying and artificial. But the contrast between Remick and Clayburgh is still emotionally rewarding. There's also a scrappy supporting cast of familiar 70s faces. The movie is benefited by on-location shots of a New York in its gritty, sex-shop heyday (I believe some additional shots were filmed in Los Angeles as well). A year later NYC would be portrayed almost like a circle in Hell by Martin Scorsese in the much more hard-hitting Taxi Driver. **1/2
Friday, September 6, 2013
hustling
Director Joseph Sargent (his crime classic The Taking of Pelham One Two Three from 1974 is glimpsed in a theater marquee in the opening of Hustling) does well with the material, offering a sensitive portrait of Wanda and her cohorts. Clayburgh was a phenomenal actress, the kind who just naturally offered more in her eyes than what's in the script, and she certainly disappears here (she was nominated for an Emmy Award). Unfortunately she puts on a New Yawk accent in a nasally pitch that's both slightly annoying and artificial. But the contrast between Remick and Clayburgh is still emotionally rewarding. There's also a scrappy supporting cast of familiar 70s faces. The movie is benefited by on-location shots of a New York in its gritty, sex-shop heyday (I believe some additional shots were filmed in Los Angeles as well). A year later NYC would be portrayed almost like a circle in Hell by Martin Scorsese in the much more hard-hitting Taxi Driver. **1/2
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