Showing posts with label jurassic world. Show all posts
Showing posts with label jurassic world. Show all posts

Saturday, June 18, 2022

jurassic world: dominion

I have seen all of the Jurassic World films, but they all run together in my mind like a messy finger painting--with nothing noteworthy or distinctive about them. I will remember Jurassic World: Dominion for something though--giant locusts.  Also, for the calculated move of bringing back the trio of Laura Dern, Jeff Goldblum, and Sam Neill, who starred in the original incarnation, and despite their breath-of-fresh-air charms, seem a bit shoehorned in here in this overstuffed eco-horror monster movie. There are some worthwhile things about Dominion, another creaky entry from Colin Trevorrow into a franchise that's definitely grown long in the tooth. The special effects are spectacular--with dinosaurs that are quite life-like and not overtly sun-flared CGI-looking. The sound design is a fun ruckus, almost shaking the theater to Sensurround disaster movie levels--a throwback to another era of Universal Studios product. Dominion sometimes speaks to the large anxieties of our times: living through and with the tragedies of climate change and also to corporations that manipulate and dominate not just the material world, but aspects of the natural world as well. Here, a soft-spoken, non-assuming Campbell Scott's dodgy Lewis Dodgson devilishly exploits genetics to control earth's food supply. But the parallel storylines of the original cast members in one thread with bland Chris Pratt and Bryce Dallas Howard's lagging tale in the other, don't quite unite satisfactorily, even if DeWanda Wise proves to be a an enlivening action star and Goldblum, in particular, offers some needed jaded humor in the soggy bog of the latter half. Steven Spielberg's (who executive produced Dominion) original, based upon Michael Crichton's novel, still remains unmatched in its ability to marry intriguing, weighty themes with awe-inspired and exciting dino-action. Young Isabella Sermon's plotline of cloning and her late mother's experiments is a bit of drag too--ultimately, we honestly just want to get back to dinosaurs stomping about and terrorizing people and audience members calling back at the screen. **


-Jeffery Berg


Saturday, January 2, 2016

justin lockwood's favorite entertainment of 2015


I found this to be a pretty tremendous year for pop culture, with many of the most anticipated releases proving worthy of the hype.  Here are my favorites in film, TV, and (first of all) music.





Rebel Heart - Madonna

I’d been waiting a decade for another truly great Madonna album.  American Life, Hard Candy, and MDNA all had their moments, but none were outstanding at the level of Ray of Light or Confessions on a Dance Floor.  With Rebel Heart, Madge finally stopped chasing other people’s trends and did her thing, across a satisfyingly diverse array of 19 (!) songs.  From the propulsive “Living for Love” (her best single since “Hung Up”) to the haunting “Ghosttown” to the awesomely sassy “Bitch I’m Madonna,” Rebel Heart proved the 57-year-old’s still got it.





"American Horror Story"

I’ve loved this show across uneven seasons, and this was a particularly good year for the franchise. "Hotel" took some time winning me over, but wound up being the darkest, most involving and consistently surprising entry since "Asylum" (my all-time favorite).  Lady Gaga is solid, though the ever-dependable Denis O’Hare steals the show and is utterly transcendent as Liz Taylor.  Looking back in the calendar year, the spotty Freak Show came to a hugely satisfying conclusion and provided a fitting coda (!) to Jessica Lange’s work on the series.






Jurassic World

My expectations were high for this sequel to one of my most beloved movies, and director Colin Trevorrow met them and then some.  Sure, the Romancing the Stone leads are a little shopworn, but who cares when the cast is so appealing, the concepts are interesting, and the action is so much fun?






"Scream Queens"

Speaking of fun, TV doesn’t get much more entertaining than this campy horror spoof starring Jamie Lee Curtis (bow down!) and the terrific Emma Roberts.  The show committed to its silliness and central mystery with razor sharp writing and a uniformly awesome ensemble, with Niecy Nash’s security guard and Glen Powell’s dopey frat boy among the standouts.






The Final Girls

A fitting companion piece of sorts to "Scream Queens," The Final Girls is a tremendously enjoyable love letter to 80s dead teenager flicks with real emotional heart.  It’s both hysterically funny and really, truly affecting.






"The Comeback"

I discovered Michael King’s cult favorite "The Comeback" just in time for its triumphant second season, which earned star Lisa Kudrow a well-deserved Emmy nod.  The meta premise seemed a little too high concept: Kudrow’s indomitable Valerie Cherish agrees to play a nasty version of herself, in an edgy series from the producer who tormented her on a would-be comeback vehicle years earlier.  But the season proved immensely affecting, funny, and honest, with a finale that broke with convention in an unexpected but all too appropriate way.






Krampus

Michael Dougherty’s Trick ‘R Treat was my favorite horror film of the last decade, so I was intrigued to see his encore.  He returns to the holiday fold with a ferociously entertaining movie that balances frights and laughs with the same deftness as that cult classic.  A strong cast brings a dysfunctional family to life, and the story lurches through gags and creepy set pieces to arrive at a stunning denouement.





Star Wars: The Force Awakens

I wasn’t chomping at the bit like a hardcore fan, but even if I was I doubt I’d be disappointed in JJ Abrams’ assured addition to the Star Wars canon.  The wunderkind uses his knack for story, humor, and wow! visuals to return George Lucas’ saga to form after the lackluster prequels.  The new characters, notably Daisy Ridley’s plucky Rey and John Boyega’s arresting, conflicted Finn, somehow already feel as timeless as Luke, Han, and Leia.  The importance of the two leads’ race and gender, too, cannot be overstated.  After all, Star Wars is a saga for all of us.